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Preludio n​º​12

from PRELUDIOS I by Hermes Luaces

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PRELUDIO XII. Cinético.

Al igual que el número VIII, este preludio está construido sobre pequeños gestos en espiral que conforman a su vez una espiral mayor. Sin embargo, en esta ocasión la espiral es centrífuga y se proyecta hacia lo inconmensurable. Además, ahora su despliegue ya no se desarrolla de forma tan fluida. Aunque en un principio se adivina un progresivo proceso de acumulación, llegado un punto la música se introduce en un laberinto rítmico en el que parecen ensayarse diversas salidas. A la desesperada, casi como si derrumbásemos sus paredes, abandonamos el laberinto y reemprendemos la marcha como si nada hubiese pasado. Pero ya no es posible. Nada es como era. Los caminos han saltado por los aires.


PRELUDE XII. Kinetic.

As number VIII, this prelude is built on small spiral gestures that build a larger spiral. However, in this occasion the spiral is centrifugal and is projected towards the immeasurable. In addition, now its deployment is no longer as fluid. Although a progressive accumulation process is guessed, at a certain point the music enters into a rhythmic labyrinth in which various exits seem to be rehearsed. Desperately, almost as if we were breaking down its walls, we leave the labyrinth and start walking again as if nothing had happened. But it is no longer possible. Nothing is as it was. The roads have been blown up.

credits

from PRELUDIOS I, released October 19, 2020
Rubén Yessayan: piano
www.rubenyessayan.com

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Hermes Luaces Madrid, Spain

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